If one succeeds in touching the feelings and memories usually connected with a dream image, this becomes apparent because of the depth of insight and experience which arises. Although ideally the Freudian analyst helps the client discover their own experience of their dream, it can occur that the analyst puts to the client readymade views of the dream. Out of this has occurred the idea of someone else ‘analysing or telling us about our dream.
Carl Jung used a different approach. He applied amplification (See also: entry), helped the client explore their associations, used active imagination (See also: entry) and stuck to the structure of the dream. Because amplification also put to the client the information and experience of the therapist, again the dreamwork can be largely verbal and intellectual, rather than experiential.
In the approach of Fritz Perls (gestalt therapy) and Moreno (psychodrama), dream analysis is almost entirely experiential.
The person exploring the dream acts out or verbalises each role or aspect of the dream.
If one dreamt of a house, in gestalt one might stan by saying I am a house’ and then go on to describe oneself just as one is as the particular house in the dream.
It is important, even if the house were one existing externally, not to attempt a description of the external house, but to stay with the house as it was in the dream. This is like amplification, except the client gives all the information. This can be a very dramatic and emotional experience because we begin consciously to touch the immense realms of experience usually hidden behind the image. When successful this leads to personal insights into behaviour and creativity.
See also: dream processing; amplification; gestalt dream work.
dream as a meeting place Any two people, or group of people who share their dreams, particularly if they explore the associated feelings and thoughts connected with the dream images, achieve social intimacy quickly. Whether it is a family sharing their dreams, or two fnends, an environment can be created in which the most profound feelings, painful and wonderful, can be allowed. Such exposure of the usually private areas of one s feelings and fears often presents new information to the dreamer, and also allows ventilation of what may never have been consciously expressed before. In doing so a healing release is reached, but also greater self understanding and the opportunity to think over or reconsider what is discovered.
Herbert Reed, editor of the dream magazine Sundance, and resident in Virginia Beach, Va., initiated group dreaming experiments. It started because Reed noticed that in the dream groups he was running, when one of the group aired a problem, other members would subsequently dream about that person’s problem. He went on to suggest the group should attempt this purposely and the resulting dreams shared to see if they helped the person with the problem.
The reported dreams often formed a more detailed view of the person’s situation. In one instance the group experienced many dream images of water. It aided the woman who was seeking help to admit she had a phobia of water and to begin thinking about learning to swim. In another experiment, a woman presented the problem of indecision about what college to transfer to and what to study. Her group subsequently said they were confused because they had not dreamt about school. Several had dreams about illicit sex. though, which led the woman to admit she was having an affair with a married man. She went on to realise that it was the affair which was underlying her indecision. She chose to end the affair and further her career.
Whatever may be underlying the results of Reed’s expen- ments, it is noticeably helpful to use the basic principles he is working with. They can be used by two people equally as well as a group—by a parent and child, wife and husband, businessman and employee. One sets out to dream about each other through mutual agreement. Like any undertaking, the involvement, and therefore the results, are much more pronounced if there is an issue of reasonable importance behind the experiment. It helps if one imagines that during sleep you are going to meet each other to consider what is happening between you. Then sleep, and on waking take time to recall any dream. Note it down, even if it seems far removed from what you expected. Then explore its content using the techniques in dream processing.
Example: My wife and I decided to attempt to meet in our dreams. I dreamt I was in a room similar to the back bedroom of my previous marnage. My present wife was with me. She asked me to help her move the wardrobe. It reminded me of, but did not look like, the one which had been in that bedroom. I stood with my back to it, and reached my hands up to press on the top, inside. In this way I carried it to another wall. As I put it down the wood broke. I felt it ought to be thrown away’ (Thomas B). Thomas explored the dream and found he connected feelings about his first marriage with the wardrobe and bedroom. In fact the shabby wardrobe was Tom’s feelings of shabbiness at having divorced his first wife. In his first marriage, represented by the bedroom, he always felt he was married for life. In divorcing, he had done something he didn’t like and was carrying it about with him. He says ‘1 am carrying this feeling of shabbiness and second best into my present relationship, and I need to get rid of it.’
dream as a spiritual guide Dreams have always been connected with the spiritual side of human experience, even though today many spiritual leaders disagree with consideration of dreams. Because dreams put the dreamer in touch with the source of their own internal wisdom and certainty, some conflict has existed between authoritative priesthood and public dreaming.
A lay person finding their own approach to God in a dream might question the authority of the priests. No doubt people frequently made up dreams about God in order to be listened to. Nevertheless, despite opposition, Matthew still dreamt of an angel appearing to him, Joseph was still warned by God to move Jesus; Peter still dreamt his dream of the unclean animals.
The modern scientific approach has placed large question marks against the concept of the human spirit. Study of the brain’s functions and biochemical activities have led to a sense of human personality being wholly a series of biological and biochemical events.
The results of this in the relationship between doctor and patient, psychiatrist and client, sometimes results in the communication of human personality being of little consequence. It may not be put into words, but the intimation is that if one is depressed it is a biochemical problem or a brain malfunction.
If one is withdrawn or autistic, it is not that there is a vital centre of personality which has for some reason chosen to avoid contact, but that a biochemical or physiological problem is the cause—it’s nothing personal, take this pill (to change the biochemistry, because you are not really a person). Of course we have to accept that human personality must sometimes face the tragedy of biochemical malfunction, but we also need to accept that biochemical and physiological process can be changed by human will and courage.
In attempting to find what the human spirit is by looking at dreams, creativity stands out.
The spiritual nature may not be what we have traditionally considered it to be.
An overview of dreams and how dreamers relate to them suggests one amazing fact. Let us call it the ‘seashell effect’. When we hear sounds in a shell that we hold to our ear, the noises heard seem exterior to oneself, yet they are most likely amplification of sounds created in our own ear, perhaps by the passage of blood. Imagine an electronic arcade machine which the player could sit in and, when running, the player could be engulfed in images, sounds, smell and sensation. At first there is shimmering darkness, then a sound, and lights move. Is it a face seen, or a creature. Like Rorschach’s ink blots, the person creates figures and scenes out of the shapeless light and sound.
A devil appears which terrifies the player. People, demons, animals, God and angels appear and fade. Scenes are clearcut or a maelstrom of movement and ill-defined activity. Events arise showing every and any aspect of human experience. Nothing is impossible.
If, on stepping out, we told the player that what occurred was all their own creation due to unconscious feelings, fears, habits, thoughts and physiological processes occurring within them, like the seashell effect, they might say ‘Good God, is that all it was, and I thought it was real. What a waste of time.’
Whether we can accept it or not, as a species we have created out of our own longings, fears, pain and perhaps vision, God, with many different names—politics, money, devils, nationalism, angels, an, and so on and on. All of it has flowed out of us. Perhaps we even deny we are the authors of the Bible, wars, social environments. Responsibility is difficult.
It is easier to believe the source is outside oneself. And if we do take responsibility for our amazing creativity, we may feel ‘is that all it is—me?’ Yet out of such things, such fears, such drives, such unconscious patterns as we shape our dreams with, we shape our life and fonune, we shape our children, we shape the world and our future.
The shadow of fear we create in our dream, the situation of aloneness and anger, becomes a pattern of feelings, real in its world of mind. We create a monster, a Djinn, a devil, which then haunts and influences us. Or with feelings of hope, of purposiveness and love, create other forces in us and the world. But we are the creator. We are in no way separate from the forces which create our existence. We are those creative forces. In the deepest sense, not just as an ego, we create ourselves, and we go on creating ourselves. We are the God humanity has looked so long for.
The second aspect of the human spirit demonstrated by dreams is consciousness.
The unconscious mind, if its function is not clogged with a backlog of undealt with painful childhood experience and nonfunctional premises, has a propensity to form gestalts. It takes pieces of experience and fits them together to form a whole. This is illustrated by how we form gestalts when viewing newsprint photographs, which are made up of many small dots. Our mind fits them together and sees them as a whole, giving meaning where there are only dots. When the human mind is working well, when the individual can face a wide range of emotions, from fear and pain to ecstasy, this process of forming gestalts can operate very creatively. This is because it needs conscious involvement, and if the personality is frightened of deep feeling, the uniting of deeply infantile and often disturbing cxpcrience is cut out. Yet these areas are very rich mines of information, containing our most fundamental learning.
If the process is working well, then one’s expenence is gradually transformed into insights which transcend and thereby transform one s personal life.
For instance, we have witnessed our own binh in some manner, we also see many others appeanng as babies. We see people ageing, dying. We see millions of events in our life and in others.
The unconscious, deeply versed in imagery, ritual and body language, out of which it creates its dreams, picks up information from music, architecture, traditional rituals, people walking in the street, the unspoken world of parental influence.
The sources are massive, unbelievable. And out of it all our mind creates meaning. Like a process of placing face over face over face until a composite face is formed, a synthesis of all the faces; so the unconscious scans all this information and creates a world view, a concept of life and death.
The archetypes Jung talks of are perhaps the resulting synthesis of our own expenence, reaching points others have met also.
If so, then Chnst might be our impression of humanity as a whole.
If we dare to touch such a synthesis of experience it may be seanng, breathtaking.
It breaks the boundaries of our present personality and concepts because it transcends. It shatters us to let the new vision emerge. It reaches, it soars, like an eagle flying above the single events of life. Perhaps because of this the great hawk of ancient Egypt represented the human spirit.
Lastly, humans have always been faced by the impossible.
To a baby, walking and not wetting its pants is impossible, but with many a fall and accident it does the impossible.
It is a god in its achievement.
To talk, to fly heavier-than-air planes, to walk on the Moon, were all impossible. Humans challenge the impossible every day. Over and over they fall, back into defeat. Many lie there broken. Yet with the next moment along come youngsters with no more sense than grasshoppers, and because they don’t know what the difference is between right and left, do the impossible. Out of the infinite potential, the great unknown, they draw something new. With hope, with folly, with a wisdom they gain from who knows where, they demand more. And it’s a common everyday son of miracle. Mothers do it constantly for their children—transcending themselves. Lovers go through hell and heaven for each other and flower beyond who they were. You and I grow old on it as our daily bread, yet fail to see how holy it is. And if we turn away from it, it is because it offers no certainties, gives no authority, claims no reward.
It is the spiritual life of people on the street. And our dreams remember, even if we fail.
For this is the body and blood of the human spirit.
dream as a therapist and healer There is a long tradition of using dreams as a base for both physical and psychological healing. One of the earliest recorded incidents of such healing is when Pharaoh’s ‘spirit was troubled, and he sent for all the magicians of Egypt and all its wise men; and Pharaoh told them his dream, but there was none who could interpret it’. Then Joseph revealed the meaning of the dream and so the healing of Pharaoh’s troubled mind took place (Genesis 41).
The Greek Temples of Asclepius were devoted to using dreams as a base for healing of body and mind (See also: dreams, ancient Greece).
The Iroquois Amerindians used a social form of dream therapy also (See also: Iroquoian dream cult).
The dream process was used much more widely throughout history in such practices as Pentecostal Christianity, shaktipat yoga in India, and Anton Mesmer’s groups (See also: sleep movements).
Sigmund Freud pioneered the modern approach to the use of dreams in therapy, but many different approaches have developed since his work. Examples of the therapeutic action of gaining insight into dreams are to be found in the entnes on abreaction, recurring dreams, reptiles.
The entry on dream processing gives information about using a dream to gain insight and healing.
See also: dream as meeting place.
A feature which people who use their dreams as a therapeutic tool mention again and again is how dreams empower them. Many of us have an unconscious feeling that any important healing work regarding our body and mind can only be undertaken and directed by an expert, the expert might be a doctor, a psychiatrist, psychotherapist, or osteopath. Witnessing the result of their own dream process, even if helped by an expert, people feel in touch with a wonderful internal process which is working actively for their own good. One woman, who had worked on her dream with the help of a fnend (non expert), said It gave me great confidence in my own internal process. I realised there was something powerful in myself working for my own good. It was a feeling of cooperating with life.’ One is frequently amazed by one’s own resources of wisdom, penetrating insight and sense of connection with life, as met in dreamwork. This is how dreams play a pan in helping one towards wholeness and balance.
The growing awareness of one’s central view of things, which is so wide, piercing and often humorous, brings developing self respect as the saga of one’s dreams unfolds.
There may be no hint of this, however, if a person simply records their dreams without attempting to find a deeply felt contact with their contents.
It is in the searching for associated feelings and ideas that the work of integrating the many strands of one’s life begins. Gradually one weaves, through a co-operative action with the dream process, a greater unification of the dark and the light, the painful and transcendent in one’s nature.
The result is an extraordinary process of education. [1]